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This Sounds Good If You're

by Connor Byrne

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1.
anticipation of you leaving urgency to say what needs to be said means basically we just should sit around and enjoy each other’s company a while and we'll count up all of our courage in fractions get deterred by someone else's bad actions 'cause here there's pollution even in our light oceans as far as eden maybe a few more miles we're awake by mistake all hours the night they say you went home early and i'm not surprised she’s equivocal and we’re lassiez-faire beautiful as can be “astonishing to know you,” i sigh when you're well on your way to your corner of the sky where faceless and the wild collide i can understand why you would pick there to hide then choose to come back like seasonal brushfire 'cause irrational makes as irrational does and there’s something that i’d love to ask you just once when you got away- did you just give up? fighting off logic the one handed artist with a muse simply used to channel his ardor a challenge that he'd learn to love in time
2.
see, it's simple not everything's intricate all the time i count the days, but what are they? b-sides/besides, if it's not keeping you up nights it's a waste of - life throws sets of introspective mess in your eyes and i'm least likely to forget watch it windfall 'cause answers drop from trees and, naturally, to light the comfort is so warmly sounding like a rhyme meticulous means you're probably not doing it- right to call off all these bets there's no contest what you struggle with is usually what's for the best what's this for? explain to me one more time why it's so easy to find myself in alabaster white read the symbols are you accomplishing or merely standing by? did you earn that spot, or did you steal it disguised? and are you innocent but feel like you're losing the - light the ends of everything and quit constantly looking for what's next
3.
color me cardinal and crimson color me cursed and color my hands red for not putting yours first my legs became engines and pistons my legs became stronger than most are my words became empty and hollow my words are still stronger than most are so we took that road to bristol where her and 95 would meet (what he said, what expense) decisions made clear as a crystal ear to the throne, heir to the street so was i selfish? did it take long to figure out? and what was it like? not having me to kick around so we took that road to bristol where her and 95 would meet (what she said, on the fence) decisions made clear as a crystal heir to the throne, ear to the street oh, angeline you've got me on the edge again oh angeline, on my hands and knees, you've got me on the edge again you've got me on the edge on the mezzanine you've got me on the edge again you've got me on the edge
4.
The Ciao 02:03
it's getting to the point where i try to skip ahead there's really nothing left but remember and it's all i did proving you were wrong not that it matters now there's really no argument against who stands where and how but i feel like the fool who tried to rush right in so stupid, so sure in my ignorance and now i'm the only one here holding up their end of the bargain it all reaches to a slowly somber and it doesn't look like it will be-- careful what you say we can't afford mistakes another way to explain our planned fall from grace but i won't cry for casualties because between you and "i-have-no-idea-who-could-possibly -love-a-wretch-like" me thanks for not being so good you couldn't lie to your best friend a ghost of who you were and i was oblivious and now i'm the only one here holding up their end of the bargain it all reaches to a slowly somber and it doesn't look like it will be starting

about

Recorded in Luther's basement January, 2011.

credits

released February 4, 2011

Recorded by Andy Clarke
Produced by Ceilidh Madigan

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Connor Byrne Trenton, New Jersey

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